• SUNLIGHT IN AN EMPTY ROOM (PASSING CLOUD FOR EMILY DICKINSON, AMHERST, MA, AUGUST 28, 2004)

    2004

    Dimensions variable, 100 fluorescent lights, filters, clothespins. This work re-creates the effect of a passing cloud in Emily Dickinson’s back yard in Amherst, Massachusetts, based on an August afternoon. The bank of three types of fluorescents generates a simulation of the daylight, and the hanging filters of the “cloud” shift the color and intensity of the sunlight to replicate the shadow cast by a cloud.

  • SUNLIGHT IN AN EMPTY ROOM (PASSING CLOUD FOR EMILY DICKINSON, AMHERST, MA, AUGUST 28, 2004)

    2004

    Dimensions variable, 100 fluorescent lights, filters, clothespins. This work re-creates the effect of a passing cloud in Emily Dickinson’s back yard in Amherst, Massachusetts, based on an August afternoon. The bank of three types of fluorescents generates a simulation of the daylight, and the hanging filters of the “cloud” shift the color and intensity of the sunlight to replicate the shadow cast by a cloud.

  • SUNLIGHT IN AN EMPTY ROOM (PASSING CLOUD FOR EMILY DICKINSON, AMHERST, MA, AUGUST 28, 2004)

    2004

    Dimensions variable, 100 fluorescent lights, filters, clothespins. This work re-creates the effect of a passing cloud in Emily Dickinson’s back yard in Amherst, Massachusetts, based on an August afternoon. The bank of three types of fluorescents generates a simulation of the daylight, and the hanging filters of the “cloud” shift the color and intensity of the sunlight to replicate the shadow cast by a cloud.